Max4Live News for April 09th 2024

“Drone Note 1.6 is a Max4Live device developed by Akihiko Matsumoto that functions as a MIDI generator for Ableton Live, creating continuous sounds from a single input note. This plug-in can transform the single note into a drone, a sustained pad, or a constantly evolving tonal texture. Serving as a harmonizing layer for your composition, riggered MIDI pitches remain active and vibrant.

Designed with a minimalist, user-friendly interface, Drone Note 1.6 is equipped with dynamic features attracting ambient musicians, composers, and sound designers. It offers utility across drum, video, sequencer and more, demonstrating its versatility.

Despite its last update in 2024, Drone Note 1.6 remains a robust and relevant tool in the Ableton community, signifying the enduring innovation of Max4Live devices. It can be used for experimenting with sound, testing tones or enhancing your compositions. Drone Note 1.6 is commercially available via Gumroad and maxforlive.com.”

MusicProduction Max4Live AbletonLive MIDI SoundDesign AmbientMusic DigitalAudioWorkstation SoundProcessing
https://lame.buanzo.org/max4live_blog/unlocking-continuous-soundscapes-a-deep-dive-into-drone-note-16-by-akihiko-matsumoto-for-ableton-live.html


BeatSplit 1.2 is a Max4Live device developed by TeamVimu that uses artificial intelligence (AI) technology for audio sampling in Ableton Live. It effectively dissects mixed audio files, separating them into vocalist, drum, bass, and other track elements. Using Max 8.1.5 and Ableton Live 10.1.18, the software provides an intuitive interface for easy audio file processing, giving the user full control over their music in the digital audio workspace (DAW).

Upon uploading an audio file into the device, BeatSplit uses AI to separate the mixed audio file into granular components, refining it into four separate tracks. These can then be downloaded, used as samples, and remixed to create completely new compositions. BeatSplit 1.2 also comes equipped with several practical features such as tools to fix essential bugs and improve overall functionality.

Furthermore, the device offers an innovative approach to music production by allowing producers to explore new ways of remixing, transforming, and reinterpreting music. Its high-quality output capability combined with its innovative features have quickly broadened its appeal among modern music producers.

๐Ÿ”Ž  Max4Live News for April 14th 2024

BeatSplit 1.2.
Max4Live.
AI.
Music_Production.
Sampling.
Audio_Manipulation.
Ableton_Live.
https://lame.buanzo.org/max4live_blog/unlocking-creative-sampling-with-ai-exploring-beatsplit-12-in-ableton-live.html


Gurgling 1.0 is a Max4Live device, designed for Ableton Live 10.1.43 and Max 8.5.7, capable of producing mysterious and multifaceted audio textures reminiscent of bubbling water. Crafted by tsugumasa320, this device allows users to manipulate three primary parameters: density, clarity, and frequency, enabling the crafting of unique audio effects for music producers and sound designers. As these parameters are adjusted, the device’s visual interface responds dynamically, emulating the fluid behavior of water bubbles. This feature serves as an intuitive guide for users to understand the impact of parameter adjustments visually.

This device is versatile due to its hybrid functionality of a synthesizer and an effect generator, stretching the limits of traditional audio synthesis. Its application ranges from music production, where it can infuse unique textural elements into tracks, to sound designing, enabling the creation of other-worldly soundscapes. An essential characteristic of the Gurgling 1.0 device is its ease of use, made possible through a highly intuitive user interface and easily downloadable content from the creator’s Gumroad page.

#Gurgling1.0 #Max4Live #SoundDesign #AudioSynthesis #AbletonLive #Max8.5.7 #MusicProduction #TextureCrafting
https://lame.buanzo.org/max4live_blog/dive-into-the-depths-of-sound-with-gurgling-10-your-max4live-device-for-mysterious-bubbling-audio-textures.html


The Velocity Stretch 1.0 is a Max4Live device designed to enhance dynamic expression in Ableton Live MIDI performances by manipulating velocity. The software replicates the functionality of Live’s native automation envelope stretch handles. Integrated into the Ableton Live session, the tool enables stretching of MIDI note velocities, imparting dynamism into otherwise stagnant MIDI performances. It’s compatible with Ableton Live version 12.0.1 and Max version 8.6.0. The user specifies the MIDI note range, which the software then manipulates.

From a creative standpoint, Velocity Stretch 1.0 offers wide potential, making it suitable for projects from ambient drone pieces with slow, gradual velocity shifts to complex orchestral compositions requiring detailed dynamic control. Users can reshape MIDI note velocities to construct emotionally charged narratives within musical projects. Velocity Stretch 1.0 has found recognition within the Ableton Live community due to its potential to transform music expression.

๐Ÿ”Ž  Eurorack News for May 26th 2024

A practical example includes injecting expressiveness into a structured piano chord progression. By stretching the velocity of selected notes, the otherwise flat performance becomes nuanced and emotive. Similarly, applying the tool to a chord progression for a deep house track can create a human-like quality, with specific velocity manipulation on downbeats and off-beats adding a compelling push-pull effect to the rhythm. Velocity Stretch 1.0 can simulate nuanced performance by dynamically varying velocity to a rhythmic pattern.

#Max4Live #VelocityStretch #AbletonLive #MIDITransformation #DynamicExpression #VelocityManipulation
https://lame.buanzo.org/max4live_blog/unlocking-dynamic-expressions-a-guide-to-the-velocity-stretch-10-max4live-device.html


Reverse Verb 3.0 is a Max4Live device developed by Akihiko Matsumoto for Ableton Live. It’s a real-time reverse reverb effect plugin offering sound designers an array of innovative capabilities for audio manipulation. The software takes use of M4L reverb, enabling a live reverse playback sound and enhancing the depth of possible soundscapes. With its update, it supports Ableton Live 10.1.18, Max 8.1.5, and Apple silicon, and introduces five additional tones providing further creative possibilities.

Beyond its primary reverb function, Reverse Verb 3.0 serves a multitude of sound-oriented tasks across different signal inputs including synths, drums, and samplers. It allows users to create unique temporal effects and depths in sound output, regardless of the project type. The integration of the device into the Ableton Live workspace is effortless, allowing seamless exploration of new sonic territories.

Key features of Reverse Verb 3.0 include the ‘Mix’, ‘Size’, ‘Decay’ and ‘Tone Control’ parameters. The ‘Mix’ knob allows the blending in of the reverse reverb effect, while the ‘Size’ and ‘Decay’ knobs control the virtual space size and the reverb tail length, respectively. The ‘Tone Control’ options deliver additional texture, being enhanced with five new tones in the recent update.

๐Ÿ”Ž  Eurorack News for June 19th 2024

This device can be used in real-time, enabling the recording of parameter manipulations and providing a dynamic, evolving sound. It can serve various applications โ€“ enriching simple pad sounds, adding intrigue to rhythmic drum loops, or crafting ethereal, ambient soundscapes for more complex productions.

#Max4Live #AbletonLive #ReverseVerb3 #RealTimeProcessing #ReverseReverb #SoundDesign #MusicProduction #SignalProcessing #AudioEffects
https://lame.buanzo.org/max4live_blog/unraveling-time-with-reverse-verb-30-the-real-time-reverse-reverb-for-ableton-live.html


The Virus TI2 Control Editor 1.1 is a Max4Live device designed to provide Ableton Live users with comprehensive control over their Virus TI2 synthesizer. The device, created by nicokaniak, offers extensive sound design possiblities, enabling users to fine-tune their creations with high precision. Key features include Total Arpeggiator Control which facilitates nuanced manipulation of sequences, and the Automation Powerhouse that allows automation of every parameter. This device also features a MIDI channel selection and allows output selection directly from the patch. The ongoing development includes features such as a Full Browsable Preset Library, Hardware Preset Mirroring for seamless switching between hardware and software presets, as well as a Random parameter generator.

#Max4Live #AbletonLive #VirusTI2 #MIDIController #Automation #Modulation
https://lame.buanzo.org/max4live_blog/unlocking-the-full-potential-of-your-virus-ti2-in-ableton-live-a-deep-dive-into-the-virus-ti2-control-editor-11-max4live-device.html


The Note To Knob for Live 12 1.0 is a Max4Live device designed for Ableton Live 12, enabling the mapping of MIDI notes to control virtual knobs within your Ableton workspace. Developed by TinMyAlons, it creates a unique fusion between MIDI data and sound manipulation parameters. MIDI notes ranging from C-2 to G8 correspond to parameter values between 0 and 127, allowing for dynamic control of parameters such as filter cutoff, resonance, and LFO rate. The device benefits from plug-and-play simplicity with no need for complex programming, making it accessible even to beginners. It operates on the Live 12.0.1 and Max 8.6.1 platforms, ensuring solid implementation and reliable performance.

#Max4Live #AbletonLive12 #MIDI #NoteToKnob #ParameterMapping #LivePerformance #MusicProduction #SoundDesign
https://lame.buanzo.org/max4live_blog/unlocking-creative-control-in-ableton-live-12-a-guide-to-the-note-to-knob-for-live-12-10-max4live-device.html



Posted

in

,

by

Tags: