FULL ARTICLE: https://lame.buanzo.org/max4live_blog/exploring-the-colors-10-bit-crusher-comb-delay-max4live-device-by-axersfall.html
The COLORS 1.0 is a Max4Live device created by axersfall, combining bit crushing and comb delay effects to enhance audio tracks in Ableton Live. It operates within Max 8.6.2, allowing users to manipulate sound creatively and add depth to their productions. The device offers parameters for bit depth and sample rate adjustments to introduce distortion, while the comb delay effects create rhythmic complexities by blending delayed signals. Ideal for ambient soundscapes and experimental music, the COLORS 1.0 device empowers audio professionals to explore innovative sound design techniques, making it an essential utility in modern electronic music production.
#COLORS #Max4Live #axersfall #BitCrusher #CombDelay #SoundDesign #AbletonLive #AudioEffects #ExperimentalMusic #Ambient
https://lame.buanzo.org/max4live_blog/exploring-the-colors-10-bit-crusher-comb-delay-max4live-device-by-axersfall.html
FULL ARTICLE: https://lame.buanzo.org/max4live_blog/mastering-delay-tails-with-tappanzeit-7.html
The TapPanZeit 7 is an innovative Max for Live device designed for audio manipulation within Ableton Live. It redefines delay effects by allowing granular control over delay tails, enabling users to sculpt sound with precision. With an intuitive interface, TapPanZeit 7 eliminates the constraints of traditional delay units and introduces features like intricate layering, real-time modulation, and unique pitch and pan shifts. It facilitates creative audio experimentation, making it suitable for both novice and advanced producers. Compatible with Ableton Live (version 12.1) and Max (version 8.6), the device enhances sonic possibilities without predetermined templates.
#Max4Live #TapPanZeit7 #AbletonLive #AudioManipulation #DelayEffects #SoundDesign #MusicProduction
https://lame.buanzo.org/max4live_blog/mastering-delay-tails-with-tappanzeit-7.html