FULL ARTICLE: https://lame.buanzo.org/max4live_blog/streamlining-workflow-with-killihus-capture-audio-10-in-ableton-live.html
Killihu’s Capture Audio 1.0 is a Max4Live device designed to enhance audio workflow in Ableton Live. This utility allows for the capture of audio from up to 16 external sources simultaneously, enabling users to effortlessly integrate spontaneous recordings into their projects. Inspired by the Capture MIDI feature, Capture Audio mimics its functionality for audio inputs, enabling recording without the need to pre-arm tracks. The device automatically manages internal buffer resets when transport starts, ensuring only the most recent takes are captured. Audio files can be saved within a customized folder or the project folder, with options to personalize file names for organization. A simplified single-input version is also available for direct integration into effects chains, making this versatile tool suitable for various workflows. Capture Audio 1.0 combines creativity and productivity with an intuitive interface and commercial licensing for an uninterrupted audio manipulation experience.
#Killihu #CaptureAudio #Max4Live #AbletonLive #AudioProcessing #MusicProduction #Workflow #SoundManipulation #Utilities #CreativeTools
https://lame.buanzo.org/max4live_blog/streamlining-workflow-with-killihus-capture-audio-10-in-ableton-live.html
FULL ARTICLE: https://lame.buanzo.org/max4live_blog/transform-your-midi-workflow-with-hoooooootkey-hold-button.html
The HoooooootKey Hold Button is a Max4Live MIDI device designed for Ableton Live 11.3.35 and Max 8.5.8, offering a seamless way to enhance MIDI workflows. This device allows users to trigger notes based on the release of a specified target note, using a “note off” sequence. Key features include real-time monitoring for sustain duration, customizable pitch, and velocity settings, with the option to disable note generation for focused parameter mapping. Users can engage in dynamic performance setups by integrating gamepads or other MIDI controllers to execute octave shifts or effects with varying button presses. HoooooootKey’s adaptable design fosters creativity in music production, suitable for both professional producers and beginners alike.
#Max4Live #MIDI #AbletonLive #MusicProduction #ParameterMapping #Modulation #Utilities #HoooooootKey #SoundDesign
https://lame.buanzo.org/max4live_blog/transform-your-midi-workflow-with-hoooooootkey-hold-button.html
FULL ARTICLE: https://lame.buanzo.org/max4live_blog/transform-your-midi-workflow-with-key-switch-controller-20.html
Key Switch Controller 2.0 is a Max for Live device designed to enhance MIDI articulation control within Ableton Live (version 11.0 or later). This tool simplifies the management of articulations, such as legato and staccato, by enabling seamless switching through MIDI notes or key switches. Its user-friendly interface allows for intuitive mapping of articulations, streamlining the creative workflow by minimizing the manual programming time typically associated with articulation changes. The device also comes with a commercial license, granting users the flexibility to modify it for personal use, although resale is prohibited. Available for download starting November 1, 2024, Key Switch Controller 2.0 integrates essential features that make it a valuable addition to any musician’s toolkit, particularly for those emulating orchestral performances or creating intricate arrangements.
#Max4Live #MIDI #Controller #Articulation #AbletonLive #Mashima #MusicProduction #SoundDesign #Software #Utilities
https://lame.buanzo.org/max4live_blog/transform-your-midi-workflow-with-key-switch-controller-20.html
FULL ARTICLE: https://lame.buanzo.org/max4live_blog/exploring-the-16-notes-trigger-10-for-dynamic-drum-racks-in-ableton-live.html
The 16 Notes Trigger 1.0 is a Max4Live device developed by an21 that enables the use of a USB gamepad as a dynamic MIDI controller for triggering drum samples in Ableton Live. This innovative tool maps each gamepad button to corresponding MIDI notes, allowing for spontaneous and interactive drum rack performances. Compatible with Ableton Live version 11.3.35 (and Max version 8.5.8), it offers musicians a tactile experience that blends gaming with music creation. Without licensing requirements, users can easily download and integrate it into their workflow, fostering creativity in rhythm production and melody generation.
#Max4Live #MIDI #DrumRacks #AbletonLive #Gaming #MusicProduction #DynamicPerformance #MusicCreativity
https://lame.buanzo.org/max4live_blog/exploring-the-16-notes-trigger-10-for-dynamic-drum-racks-in-ableton-live.html
FULL ARTICLE: https://lame.buanzo.org/max4live_blog/elevate-your-mix-with-microshifting-magic-in-ableton-live.html
Lushie Deluxe 1.0 by ijoaudio is a Max4Live audio effect designed to enhance soundscapes within Ableton Live. It transforms mono audio signals into expansive stereo fields through precise microshifting techniques. Features include the ability to detune, pan, and delay additional voices while maintaining bass clarity. The intuitive interface consists of controls for wet/dry mix, frequency focus, detune, and delay time, allowing users to achieve a rich, musical sound with minimal effort. The device offers three algorithm modes, catering to subtle, moderate, or pronounced effects, each embedding a sense of musicality. Lushie Deluxe 1.0 integrates seamlessly with Ableton Live (versions 12.1 and onward), ensuring accessible audio enhancement for both professional and aspiring producers.
#Lushie_Deluxe #Max4Live #Ableton #AudioEffect #SoundProcessing #Microshifting #iJoAudio #Mixing #MusicProduction #SonicEnhancement
https://lame.buanzo.org/max4live_blog/elevate-your-mix-with-microshifting-magic-in-ableton-live.html
FULL ARTICLE: https://lame.buanzo.org/max4live_blog/unleashing-color-delay-in-ableton-live-for-classic-and-futuristic-soundscapes.html
The Color Delay Max4Live device, crafted by Akihiko Matsumoto, merges classic and modern delay technologies, inspired by legendary hardware units like the SONY DPS D7, BOSS DD-2, YAMAHA SPX 90 II, Maxon PDM-1, Red Panda Particle, and Eventide H9. This versatile audio effect allows users to create rich soundscapes, featuring a wide array of delay types that evoke both nostalgic warmth and futuristic clarity. Color Delay offers meticulous tonal modeling, enabling artists to manipulate delay time, feedback, and modulation for dynamic sonic experiments. Compatible with Ableton Live (version 12.0.5) and Max (version 8.6.2), it can be easily integrated into any project, enhancing original audio material or transforming simple loops into immersive experiences.
#Max4Live #AudioDevice #SoundProcessing #DelayEffect #AbletonLive #AkihikoMatsumoto #ColorDelay #MusicProduction
https://lame.buanzo.org/max4live_blog/unleashing-color-delay-in-ableton-live-for-classic-and-futuristic-soundscapes.html
FULL ARTICLE: https://lame.buanzo.org/max4live_blog/exploring-the-gamepad-usb-universal-10-max4live-device.html
The Gamepad USB Universal 1.0 Max4Live device by an21 innovatively transforms standard gamepad buttons into MIDI notes within Ableton Live sessions. By connecting a compatible gamepad (e.g., SNES or Freebox) via USB, users can interactively generate sustained notes emulating a velocity-insensitive organ keyboard, enhancing creative possibilities in music production. The device includes LED feedback to visually indicate MIDI note generation, aiding in real-time monitoring and performance. Additionally, the companion “16 Pitch Change” device allows for customization of note mappings, making it ideal for advanced production techniques. This seamless tool not only bridges gaming and music but also enriches live performance dynamics by offering intuitive control over diverse sound elements.
#Max4Live #MIDI #Gamepad #AbletonLive #SoundDesign #MusicProduction #CreativeTools #InteractiveMusic #LEDFeedback
https://lame.buanzo.org/max4live_blog/exploring-the-gamepad-usb-universal-10-max4live-device.html
FULL ARTICLE: https://lame.buanzo.org/max4live_blog/a-revolutionary-approach-to-drum-rack-adaptation-in-ableton-live.html
The “16 Pitch Change 1.0” is a transformative Max for Live MIDI device designed to enhance the functionality of drum racks in Ableton Live. Its primary feature is the ability to process incoming MIDI notes by altering their pitch without changing the underlying drum rack configuration. This device allows integration with unconventional MIDI controllers, such as USB gamepads, enabling dynamic mapping of MIDI notes to trigger specific drum sounds.
Signal flow begins with MIDI input, processed through the device, before reaching the drum rack. A central LED provides visual feedback on signal passage, while IN and OUT indicators allow users to monitor the MIDI data being transformed. The device excels in live performance settings by permitting real-time pitch adjustments, thus enhancing creative expression and adaptability within electronic music production.
By implementing “16 Pitch Change 1.0”, users can easily remap drum pads, facilitate improvisational performances, and explore unique sound possibilities, all while maintaining a streamlined workflow and preserving the original structure of their drum racks.
#Max4Live #MIDI #DrumRack #AbletonLive #MusicProduction #ElectronicMusic #Gamepad #ParameterMapping #CreativeTools
https://lame.buanzo.org/max4live_blog/a-revolutionary-approach-to-drum-rack-adaptation-in-ableton-live.html
FULL ARTICLE: https://lame.buanzo.org/max4live_blog/mastering-harmonic-textures-with-tetra-comb-in-ableton-live.html
The Tetra Comb Max4Live device, developed by Akihiko Matsumoto, offers advanced audio manipulation for creating intricate harmonic textures in Ableton Live. This plugin features four independent voices, each capable of separate pitch tuning and processing, enabling a 4-voice comb filter that transforms various audio sources—like vocals, drums, and synths—into lush soundscapes. Users can adjust pitch, feedback, and resonance to sculpt tonal qualities, while LFO modulation introduces dynamic movement. Ideal for both amateurs and professionals in electronic music, Tetra Comb enhances tracks with depth and musicality, making it a powerful tool for sound design and production.
#Max4Live #TetraComb #AudioProcessing #HarmonicTextures #AbletonLive #SoundDesign #MusicProduction #ElectronicMusic
https://lame.buanzo.org/max4live_blog/mastering-harmonic-textures-with-tetra-comb-in-ableton-live.html
FULL ARTICLE: https://lame.buanzo.org/max4live_blog/your-gateway-to-dynamic-fm-drum-synthesis-in-ableton-live.html
The DS Skada FM 1.0.1 is a Max4Live device designed for FM drum synthesis within Ableton Live. Modeled after iconic drum machines like the Korg ER-1 and Elektron Model:Cycles, it offers streamlined controls that allow users to craft diverse electronic percussion sounds without complexity. Key features include enhanced voice handling to prevent note stealing, improved envelope shaping for more predictable decay curves, and the innovative chromatic mode for playing across MIDI devices. Compatibility with Ableton Push and Move controllers enhances its usability for live performances and studio work. The device’s minimalistic interface invites both novice and experienced producers to delve into dynamic FM synthesis, creating a new dimension of rhythm and sound design.
#DS_Skada_FM #FM_Synthesis #Ableton_Live #Max4Live #Drum_Synthesizer #Electronic_Music #MIDI #Sound_Design #Music_Production
https://lame.buanzo.org/max4live_blog/your-gateway-to-dynamic-fm-drum-synthesis-in-ableton-live.html