The Analog Drive Control 1.0 Max4Live device by AlteredSignal integrates the Elektron Analog Drive distortion pedal with Ableton Live, providing real-time access and saving of pedal parameters. The device includes a MIDI controller, allowing users to alter pedal’s settings via Ableton’s automation lanes and modulator devices like LFOs and envelope followers. The device offers a 1:1 representation of the hardware in the user’s DAW, providing granular control of the distortion unit.
To use the device, users need to drop it into a new MIDI track in Ableton Live and connect a MIDI cable to the input of the Analog Drive and to the MIDI output of their audio interface. The MIDI channel of the track should match the input channel of the Analog Drive pedal.
The device has been tested with Ableton Live versions 11 and 12. If users find this device useful, they are encouraged to support the creator at ko-fi.com/alteredsignal. The Analog Drive Control 1.0 Max4Live device is available for download at the Max4Live library.
#AlteredSignal #Analog_Drive_Control_1.0 #Max4Live #Ableton_Live #MIDI_Controller #Hardware_Integration #Elektron_Analog_Drive
https://lame.buanzo.org/max4live_blog/a-deep-dive-into-the-analog-drive-control-10-max4live-device.html
‘Pool with Sound M4L beta version 1.0’ by tsugumasa320 is an experimental Ableton Live device developed using the Max4Live framework. It is specifically designed for the synthesis and manipulation of glitchy audio textures. This device is developed based on the Max MSP tutorials and modified to function in Live’s flexible environment. This synth-equipment uses a plethora of sliders and buttons for real-time sonic alteration. Its unique features include granular parameters for grain size and density modification, pitch-shifting abilities for creating diverse harmonic or dissonant sounds, and feedback control for complex, evolving effects. The tool operates best on Live Version 10.1.18 and Max Version 8.1.5, and it does not require any external licensing. Notably, this is a beta version, and as such, users can expect it to behave unpredictably due to ongoing performance enhancements.
#Max4Live #Ableton_Live #Sound_Modulation #Glitchy_Synth #Audio_Manipulation #Beta_Version #Grain_Manipulation #Real_Time_Sound_Design #Sound_Texture_Generation #Pitch_Shifting #MIDI #Live_Performance #Hardware_Integration
https://lame.buanzo.org/max4live_blog/a-fresh-take-on-synthesizing-glitchy-textures.html
The Feedbacker 1.0 is a software synthesizer designed by Akihiko Matsumoto specifically for noise industrial music production. This Max4Live device functions through Ableton Live and is compatible with version 10.1.18 and Max version 8.1.5. The software synth is built to create raw, distorted, and chaotic soundscapes inspired by no-input mixers, offering a range of harsh distortions, glitchy loops, other effects, and temperament. The Feedbacker 1.0 stands unique in terms of its usability in creating alien landscapes and atmospheres for scoring films, games, and multimedia in addition to its core functionality of making noise. Music from this device is unorthodox, defying conventional harmony and balance, dabbling in pandemonium instead. The Feedbacker 1.0 can be downloaded and installed from the provided URL after which it can be integrated directly into Ableton Live sessions. Controls on the device are designed to clearly indicate function, giving the user the freedom to experiment and mix to their preference.
#SoftwareSynthesizer #NoiseIndustrialMusic #Max4Live #AbletonLive #NoInputMixers #SoundDesign #Distortion #Feedbacker1.0 #AkihikoMatsumoto
https://lame.buanzo.org/max4live_blog/an-in-depth-guide-for-noise-industrial-enthusiasts.html
Spectral Feedback 1.0 by Axersfall is a spectral processor designed for Max4Live. This innovative software consists of a suite of audio manipulation tools that work within the spectral domain of sound, allowing you to alter the timbre and texture of audio tracks within Ableton Live. This plugin interfaces with Live version 10.1.18 and Max version 8.1.5, ensuring compatibility with these popular digital audio workstations. Upon inputting sound, Spectral Feedback 1.0 provides real-time modulation and feedback controls to reshape the harmonic complexity of your audio. The software requires a commercial license and is available on Axersfall’s Gumroad page. Axersfall has also released an array of tutorials and demonstrations on their Youtube channel to better understand the software’s functionality.
#Max4Live #Ableton #SpectralFeedback1.0 #Axersfall #SpectralProcessing #Plugin #AudioManipulation #SoundDesign #DigitalAudioWorkstation #CommercialLicense #Gumroad #YouTube
https://lame.buanzo.org/max4live_blog/unveiling-the-mysteries-of-spectral-sound-design-with-spectral-feedback-10-by-axersfall.html
The Jerome Robins Screen Record Max for Live Plugin 1.0 is an ableton Live compatible device that streamlines the process of recording audio and video sessions. Tailored to work with Live version 10.1.18 and Max version 8.1.5, this plugin simplifies workflows by allowing users to capture both audio and video directly within Ableton Live software. For optimal performance, it is suggested to place the device at the end of the audio master chain, reducing CPU encroachment. The software removes traditional time-based recording restrictions, making it ideal for lengthy sessions or live performances. It offers three video quality options—low, medium, and high—to cater to different system capabilities and provides the option to export the completed .mov file to a user-specified local folder. The plugin is available for commercial license purchase, offering widespread use.
#MaxForLive #Plugin #ProfessionalAudiRecording #VideoRecording #AbletonLive #JeromeRobins #ScreenRecord
https://lame.buanzo.org/max4live_blog/a-deep-dive-into-jerome-robins-screen-record-max-for-live-plugin-10.html