FULL ARTICLE: https://lame.buanzo.org/max4live_blog/mastering-tremolo-with-amplitude-modulation-11-by-supertramp162.html
Amplitude Modulation 1.1 by Supertramp162 is a powerful Max4Live audio effect device designed for use within Ableton Live. This tool enables precise amplitude modulation, allowing users to create dynamic tremolo effects and enhance their sound design with ease. Featuring an intuitive interface, it offers tempo synchronization and an extensive frequency range from 0 Hz to 40 Hz, enabling smooth or rhythmic modulations tailored to creative needs. Notable enhancements in this version include waveform control for switching between sine and square waves and a built-in oscilloscope for real-time visual feedback of waveform modulation. The wet/dry mix control allows for seamless integration of modulated signals with original audio, expanding sonic possibilities. Ideal for both subtle and dramatic effects, Amplitude Modulation 1.1 invites producers to explore creative audio manipulation within their projects.
#Amplitude #Modulation #Max4Live #AudioEffect #Ableton #SoundDesign #Tremolo #Waveform #Oscilloscope #CreativeExpression
https://lame.buanzo.org/max4live_blog/mastering-tremolo-with-amplitude-modulation-11-by-supertramp162.html
FULL ARTICLE: https://lame.buanzo.org/max4live_blog/exploring-clamakcdrive-10-in-ableton-live-sessions.html
ClaMaKCDrive 1.0, developed by Mcl, is a Max for Live audio effect device that emulates the revered Klon Centaur Overdrive pedal. Key features include 2x oversampling for enhanced audio quality and a unique Pad button that amplifies gain for increased distortion intensity, making it suitable for both lead guitars and complex soundscapes. The device offers SHAPE1 and SHAPE2 controls for asymmetrical distortion shaping, allowing fine-tuning of waveform characteristics. This versatility, combined with its compatibility with Ableton Live 12.1 and Max 8.6.2, makes ClaMaKCDrive 1.0 a valuable tool for music producers and sound designers alike.
#ClaMaKCDrive #Max4Live #AbletonLive #AudioEffects #Overdrive #SoundDesign #MusicProduction
https://lame.buanzo.org/max4live_blog/exploring-clamakcdrive-10-in-ableton-live-sessions.html
FULL ARTICLE: https://lame.buanzo.org/max4live_blog/exploring-monoguy-mono-maker-10-by-paleprince-in-your-ableton-live-setup.html
MonoGuy – Mono Maker 1.0, developed by PalePrince, is a Max for Live audio effect designed to enhance mono summing capabilities within Ableton Live. Compatible with Ableton Live 12.1.11 and Max 9.0.5, this tool offers precise control over the summing process, allowing users to specify frequency cutoffs and blend amounts. This nuanced approach helps maintain low-end clarity while avoiding phase issues in stereo mixes. Additionally, the device features an engaging linear/logarithmic spectrum display for visual feedback, fostering creativity and experimentation in sound design. MonoGuy is accessible to all creators, from beginners to professionals, making it a versatile addition to any audio manipulation toolkit.
#MonoGuy #MonoMaker #PalePrince #Max4Live #AbletonLive #SoundProcessing #AudioEffect #MusicProduction #ElectronicMusic
https://lame.buanzo.org/max4live_blog/exploring-monoguy-mono-maker-10-by-paleprince-in-your-ableton-live-setup.html
FULL ARTICLE: https://lame.buanzo.org/max4live_blog/exploring-tape-warmth-with-oxide-10-in-ableton-live.html
Oxide 1.0 is a Max4Live audio manipulation device developed by ijoaudio, designed to simulate analog tape characteristics within Ableton Live. Featuring five distinct tape models—Ampex A-80, Studer A827, Otari MTR-90, Revox B77, and Tascam 388—each model offers unique EQ coloration and compression features. Key parameters include ‘Saturate’ for warmth, ‘Wow’ and ‘Flutter’ for vintage modulation effects, and controls for ‘Hiss’ and ‘Crackle’ to replicate tape noise artifacts. The device includes a Dry/Wet control for balanced blending of processed and original signals, enhancing versatility in mixing and mastering. Optimized for usage on both Windows and MacOS platforms, Oxide 1.0 facilitates creative audio manipulation, making it an essential tool for music producers aiming to achieve a nostalgic warmth reminiscent of classic analog recordings.
#Oxide #Max4Live #AbletonLive #AudioManipulation #TapeSimulation #Warmth #Analog #EQ #Compression #MusicProduction
https://lame.buanzo.org/max4live_blog/exploring-tape-warmth-with-oxide-10-in-ableton-live.html